ADAMS,
BILL (TRADITIONAL GRASS)
Bill
Adams played bass for the Traditional Grass.
ADAMS,
BILL (WYSO)
Bill
Adams was a DJ at WYSO working the “Rise
When the Rooster Crows” show and the “Saturday
Night Request Show” off and on for a number
of years beginning in 1975. He also was active
in OKI, emceeing a lot of their shows.
ADAMS,
SCOTT “SCOTTY”
Mandolin
player and son of Bill Adams of the Traditional
Grass, Scotty Adams started young, playing in bluegrass
bands around the Dayton area. He appeared
with Muddy River, the Allen Brothers, and the Allen-Lilly
Band. In recent years he has played and recorded
with various bands around the Cincinnati area.
ADKINS, “HOBO” JACK
A
somewhat mysterious character, “Hobo” Jack
Adkins originally recorded for Acme and some
small labels of his own in Kentucky. He moved
to Cincinnati and started the Adco Record label which
was active for several years. He also cut some records
for Starday and Nashville.
ALDRIDGE,
BRIAN
Brian
Aldridge is the son of banjo player Howard Aldridge. In
2006 he was singing and playing guitar with the
Dry Branch Fire Squad. Prior to joining that
band, he played the Dayton area bars and helped
found the group Timely Arrival, with which he played
for seven years.
ALDRIDGE,
HOWARD
A
highly regarded banjo player from the Springfield,
Ohio, area, Howard Aldridge did some fill-in work
with Bill Monroe in the 1960s and played with various
bands around the Dayton-Springfield area.
ALLEN,
ARLEY “RED” (1930-1993)
Born
near Hazard in Harlan County, Kentucky, Red Allen
(christened “Arley” and later known
as “Harley”) came to Dayton, Ohio around
1949 or 1950, and with Frank Wakefield and others
began playing the West Third Street bars. He
had a driving raw lonesome-sounding voice that
fit well with bluegrass music, and his rhythm guitar
playing was on the money. After recording
three singles for Cincinnati’s Kentucky Records,
he hooked up with the Osborne Brothers. Through
Dayton DJ Tommy Sutton, they secured a recording
contract with MGM Records and became members of
the WWVA Jamboree in Wheeling, West Virginia. While
working there, they developed the high lead style
of bluegrass harmony. After Allen and the
Osbornes split in 1958, he returned to Dayton and
cut a single on Les Bodine’s BMC label
with Frank Wakefield and Red Spurlock as the Redheads. He
and Frank then moved to the Washington, D.C., area
and began performing as Red Allen and the Kentuckians. During
this period, he recorded on Starday, Rebel, Melodeon,
County, and Folkways. At one point, he worked
with Earl Scruggs , filling in for Lester Flatt
for several months. After the Kentuckians
broke up, he went to Lexington, Kentucky, and worked
with J.D. Crowe and the Kentucky Mountain Boys. Still
later, he recorded with his sons, the Allen Brothers,
on Lemco, King Bluegrass, and Folkways. In
2005, he was inducted into the IBMA Hall of Honor.
ALLEN,
GREG
Greg and Harley Allen were
probably the most interested in bluegrass of the
four sons of Red Allen. They eventually talked
the other two into forming the Allen Brothers. Greg
is the banjo player.
ALLEN,
HARLEY (1956- )
Lead singer and
guitar player for the Allen Brothers, Harley Allen
began his professional career at the age of 16
. Later, he and Mike Lilly organized the
Allen-Lilly Band which had a polished and
exciting traditional sound. Harley began
writing songs and finally moved to Nashville to
be closer to the action. The move paid off
as he began to get his songs recorded by name country
artists like Alan Jackson, Blake Shelton, Garth
Brooks, Allison Krauss, and others.
ALLEN,
LEE (1946-)
A singer firmly entrenched
in the Stanley Brothers tradition, Lee Allen performed
around Dayton with his band, the Dew Mountain Boys,
in the early to mid 1970s, recording two LPs and
four singles on Jack Lynch’s Jalyn
label and two LPs and two singles on Old Homestead. Worthy
of note is his tribute to an old friend, “In
Memory of Roy Lee Centers,” issued on Old
Homestead.
ALLEN,
NEAL ( -1974)
Mandolin
player for the Allen Brothers when they first started,
Neal Allen showed great promise as a songwriter
before his untimely death. One of his best
songs was “Singer,” about the life
of his father, Red Allen.
ALLEN,
RONNIE
The
oldest of the Allen Brothers, Ronnie Allen started
as a rock musician but changed over to bluegrass
at the urging of his brothers when they formed
their band. Ronnie plays electric bass.
ALLEN,
STEVE
Steve Allen was a knowledgeable DJ at
WYSO in Yellow Springs in the 1970s, 1980s, and
early 1990s.
ANDERSON,
RAY
Ray
Anderson was a musician, DJ, songwriter, minister,
and label owner. In his early days he recorded
on Dixie Jamboree and Cozy Records before coming
to Cincinnati and cutting a local hit on Kentucky
Records with “Stalin Kicked the Bucket” as
well as sacred songs on Kentucky and its sister
label, Big 6. He worked as a DJ at WCHO in
Washington Court House, Ohio, where he also recorded
on the Mountaineer label. He went to WWVA
in Wheeling and joined the Osborne Brothers. Although
he never appeared on any of the Osborne Brothers
records, they did back him on some singles on the
Mountaineer label. After leaving the Osborne
Brothers, he became a minister and eventually founded
G.R.S. Records in Richmond Dale, Ohio, which specialized
in gospel recordings.
BAKER
, JOHNNY
Son
of Kentucky fiddler Kenny Baker, Johnny Baker played
guitar for the Dry Branch Fire Squad after the
departure of Chris Montgomery. He had a lonesome
sound that blended well with Ron Thomason on their
duets.
BAKER,
CLARENCE
Clarence
Baker has been a guitarist and singer in a lot
of bluegrass and country bands around Dayton. Most
recently, he has been part of the Legends of Bluegrass. He
has a lot of feeling in his voice and a seemingly
endless repertoire of old songs.
BARGER,
AUDREY ( -c. 1992)
Audrey
Barger was born in Hyden, Kentucky, later coming
to Ohio, and eventually living near Oxford in the
early 1980s. At that time she was devoting
full time to her music, playing shows around the
southwestern Ohio area and recording two self-produced
LPs as the Audrey Barger Band.
BARTENSTEIN,
FRED (1950-)
Born
in southwestern Virginia, Fred Bartenstein grew
up loving bluegrass and mountain style music. He
learned to play guitar as a young teenager and
selected Harvard for his college education because
Boston had an active bluegrass scene. After
college he decided to work in Dayton, Ohio, for
the same reason. He quickly became immersed
in that scene playing with Jack Lynch and later
helping to form the Dorsey Harvey Band, that played
around Dayton for seven years, with Fred singing
lead and playing guitar. Fred emceed numerous
bluegrass festivals and elevated standards of professionalism
and punctuality. While still in college,
he edited and built the “Muleskinner News” into
a great bluegrass magazine. Fred has worked
as a bluegrass DJ at stations in the East and at
Dayton area stations WYSO, WBZI, and WONE. Since
2002, he has locally produced “Banks of the
Ohio: Music From the Homeplace of Bluegrass” for
the International Bluegrass Music Museum. The
program on bluegrass history is available on broadcast
stations, the world wide web, and satellite in
Africa, Asia, and Europe. He has done market
research on bluegrass, performed organizational
work for the IBMA, and developed an analysis of
the first 60 years of professional bluegrass recording
artists which he calls “Bluegrass Generations.” In
2006 he is the Chairman of the Board of Bgrass,
Inc., a non-profit corporation dedicated to preserving
the history of bluegrass music in southwestern
Ohio.
BIRCHFIELD,
BENNIE
Bennie
Birchfield has the reputation of being able to
sing all the harmony parts in bluegrass and sing
them well. He played or recorded with Earl
Taylor, Jim McCall, Paul Mullins, and, most notably,
with the Osborne Brothers. When he married
country singer Jean Shepherd, he became her band
leader and harmony singer and put his solo career
on hold.
BLANKENSHIP,
BERNIE (1944-2003)
Born
in West Liberty, Kentucky, Bernie Blankenship was
a guitar-playing vocalist in the Stanley Brothers’ style. He
was living in Dayton, Ohio, in 1980 when he cut
an album on Middletown’s Central label.
BODINE,
LESLIE E. “LES” (c.1910-1969)
Les
Bodine was a country DJ for 42 years. He
worked at WSMK, WHIO, WONE, and WING in Dayton. At
country and bluegrass music’s lowest ebb
in the late 1950s, after rock and roll hit, Les
played the only country and bluegrass music in
Dayton, daily from 5:00 a.m. to 6:00 a.m., on WING. He
moved to WGIC in Xenia and later turned WBZI-FM
in Xenia into an all-country station in 1967. His
DJs were local music personalities like Herbie
Smith, Jack Bartley, Chad Chester, and Al Freeders. On
his early morning show, Les always talked about
having his coffee and a cream horn. As a
musician, Les was at WONE when it went on the air
in 1948, playing with Lew Wampler and the Midwesterners. Later,
he had his own band and did barn-dance-type shows
on WING and at the Labor Temple on Wayne Avenue. In
the 1950s, Les had a music store in Dayton and
started his own record label, BMC Records, that
recorded Red Allen, Red Spurlock, and Frank Wakefield
as “The Redheads” and also Glenn and
Vivian Watson.
BOSWELL,
TERRY (c.1953-1999)
Terry
Boswell was highly thought of by the musicians
around Cincinnati during the 1990s. She could
play both rhythm and lead guitar and sing lead
or harmony. A great example is her harmony
with Eddie Cunningham on “He Will Set Your
Fields On Fire” on the CD “Bluegrass
Sunday: Live At the Comet.” She made
a lot of appearances as a single around Cincinnati
and also worked in various configurations with
Katie Laur.
BOWMAN,
REBECCA ISAACS “BECKY” (c.1975-)
Becky
is the youngest of the three Isaacs children. She
sings, writes songs, and plays rhythm guitar with
the group.
BOYD,
TOMMY
Tommy Boyd is best known for his
very tasteful resonator guitar and banjo playing
and harmony work with Larry Sparks, from the mid
1970s into the early 1980s. He appeared on
some of Larry’s best LPs on King Bluegrass,
County, Lesco, Rebel, Acoustic Revival, and June
Apple. He played on sessions around the Dayton,
Columbus, and Cincinnati areas with Mac Wiseman,
the Allen Brothers, Jack Casey, and others. After
disappearing from high visibility for several years
to pursue a financial career in Chicago, he resurfaced
in the mid 2000s as banjoist with the Dry Branch
Fire Squad.
BRACKETT,
NEAL B
Neal
Brackett played bass for Larry Sparks in the early
1970s, appearing on at least one of Larry’s
Old Homestead LPs.
BRADEN,
PAUL F.
Founder
and long-time owner of radio station WPFB in Middletown,
Paul Braden always had a place for bluegrass and
traditional country music on his station, both
live and recorded. The station’s call
letters were his initials, although Paul Mullins
jokingly said that they stood for “We Play
For Briars.”
BRADLEY,
RUSSELL
Russell
Bradley was Sheriff of Greene County, Ohio, for
30 years, from 1957-1987. He and his deputies
would have a fund-raiser each year for the benefit
of the Greene County Youth Activity Fund. It
took the form of a country and/or bluegrass show
at the Greene County Fairgrounds, featuring bands
such as the Country Gentlemen and the Johnson Mountain
Boys. The old Sheriff knew who his constituents
were, and he packed the grandstand for his shows.
BRANDENBURG,
RAY
Ray
Brandenburg made his home in Indiana and played banjo
on the recordings of Joe “Cannonball” Lewis
which were made in Cincinnati.
BROCK,
CARLOS (1934-)
Born
in Hyden, Kentucky, Carlos Brock came to Dayton,
Ohio, in 1950 with his family. With his brother
Lonnie, he put together a band with Noah Crase
and began playing the Dayton bars in 1952 as the
Brock Brothers. Carlos was also in a band
with Sonny Osborne and Enos Johnson that recorded
around 50 songs for Gateway and Kentucky Records
in Cincinnati. Later, Carlos, Lonnie, and
Sonny played around Dayton as the Brock Brothers
and Sonny Osborne. In 1954, Noah Crase and
Carlos got jobs playing with Bill Monroe, where
Carlos stayed until late 1955. He then joined
the Country Pardners, with Bill Price and Bobby
Simpson, and cut some records for RCA Victor before
going into the Army. After his release from
service, he and his brother went into construction
in Florida. Later on, he and Lonnie and their
brother Bobby and sister Greta performed as the
Brocks. In more recent years, Carlos has
performed with Vince Combs and with the Legends
of Bluegrass.
BROCK,
LONNIE
Carlos
Brock’s older brother, Lonnie Brock played
banjo and performed in the Dayton bar scene with
Carlos as the Brock Brothers, and later on with
their sister Greta and brother Bobby as the Brocks.
BROWN,
FRANK “HYLO” (1922-2003)
Hylo
Brown acquired his nickname from Smokey Ward at
WPFB in Middletown because of his wide vocal range,
which he demonstrated by singing “The Prisoner’s
Song” in two separate octaves. He was
born in Johnson County, Kentucky, and came north
to Springfield, Ohio, when his father got a job
in a factory there. Hylo got a job working
in Bradley Kincaid’s band at WWSO, a station
Kincaid owned, in Springfield. Apparently
both DJ Tommy Sutton and Bradley Kincaid liked
a song that Hylo had written, and as a result Hylo
got a contract with Capitol Records. At
his first session in 1954, he recorded “Lost
To a Stranger,” a moderate hit and Hylo’s
signature song. He joined the WWVA Jamboree
in Wheeling and later became a featured singer
in the Flatt and Scruggs show which eventually
led to his own show for Martha White Mills including
his band, the Timberliners. In addition to
Capitol, he also recorded for Starday, Rural Rhythm,
Jessup, Atteiram, Vetco, Newland, Rome, and K-Ark
before retiring in 1980.
BURKHARDT,
CARL
Carl
Burkhardt was the owner of Rite Records in Cincinnati,
the parent company for Kentucky, Gateway, Big 4,
Big 6, Arc, Deresco, Worthmore, and others. The
operation started as a radio repair shop and record
store at 3930 Spring Grove Avenue in the Knowlton’s
Corner area of Cincinnati in 1940. They began
pressing records there but eventually moved to
the Evendale area, where their building was across
Interstate 75 from the GE Plant and could be seen
from the highway. In this location they added
a studio, pressing plant, and printing presses,
so they could do everything in house. In
1955 a custom pressing division was opened to manufacture
records for anyone who wanted to record and had
the money to pay for it. This continued until
1985, and in that span of time, Rite did custom
pressing on approximately 21,000 different singles,
most of which were country, bluegrass, or gospel. During
its existence, Rite produced 78 rpms, 45 rpms,
and some LPs.
BURNS,
ARKENISE
BURNS,
ARTHUR
BURNS,
JESSE “JUNIOR”
The
Burns Brothers played around the Dayton/Cincinnati
area in the late 1950s and early 1960s. Arthur
sang lead and played guitar, Jesse played bass,
and Arkenise was a banjo player. They had
their own band and also worked with Jack Lynch. They
recorded with Estel Lee on Ark, with Harley Gabbard
on Arvis, and as the Burns Brothers on Jalyn and
Sunshine.
CADE,
DANNY
Danny Cade was ahead of his
time for Dayton bluegrass, where he was best known
as the fiddle player for Muddy River. He
marched to his own drummer and studied licks and
styles outside of bluegrass and incorporated them
into his playing.
CAMPBELL,
SID ( -1987)
Lead
singer, guitar player, radio broadcaster, songwriter,
Sid Campbell was headquartered in Columbus, Ohio,
for many years. Sid may have been best known
for his long stint as the DJ on WOSU’s “Bluegrass
Ramble,” which piped bluegrass into the area
in an era when it was really scarce on the radio. However,
he also worked with Reno & Smiley, Don Reno,
Red Allen, Earl Taylor, and the Nu-Grass Pickers,
and fronted the house band at the Astro Inn in
Columbus. He wrote “This Morning At
Nine” for the Country Gentlemen and “Unfaithful
One” for Don Reno and Red Smiley. His
version of “Teardrops Falling In the Snow” on
K & B Records rivals the original version by
Molly O’Day.
CAMPBELL,
TOM HARLEY
Tom
Harley Campbell of Dayton, Ohio, was an early bass
player for the Hotmud Family.
CASEY,
(CASEBOLT) JACK ( -1999)
Born
in Virgie, Kentucky, Jack Casey began his career
as a guitar-playing bluegrass lead singer, but
an auto accident forced him to give up the road. In
order to stay in the music business, he established
Rome Recording Studio at 1414 East Broad Street
in Columbus. He engineered independent sessions
but also started his own record labels: Rome and
Starr. He was able to attract name bluegrass
musicians to Rome, including the Country Gentlemen,
Hylo Brown, Eddie Adcock and II Generation, Reno & Smiley
and Bill Harrell, and Lawrence Lane. He also
engineered sessions using southwestern Ohio musicians
which were released on Rural Rhythm Records of
California. Jack Casey had an album of his
own on Rural Rhythm and a handful of singles on
Rome, Starr, Tag, Nugget, Early Bird, and
Starday. The Dry Branch Fire Squad recorded
material released on Rounder at Rome Studio, which
was relocated to 3970 South High Street, Columbus,
in 1991.
CENTERS,
DANIEL BOONE
Roy
Lee Centers’ brother, Kentuckian Daniel Boone
Centers played the Dayton, Ohio bars with Roy Lee
and Fred Spencer in the mid-to-late 1960s. They
recorded a single on Wizard Records in 1966 as
the Centers Brothers and Fred Spencer. He
also appeared on Jack Lynch’s Jalyn album
and on the Vetco LP “Roy Lee Centers: The
Early Years, Volume 1.”
CENTERS,
ROY LEE (1944-1974)
Heavily
influenced by the Stanley Brothers sound, Roy Lee
Centers (he went by his middle name in the Lee
Brothers) could sing almost like Carter and play
banjo in Ralph’s style. Originally
from Kentucky, he came to Dayton and played in
the East Side bars with Fred Spencer and Junior
and Liz McIntyre as the Easterners. He and
Fred recorded on Jalyn with Jack Lynch as Jack
Lynch and the Lee Brothers in addition to backing
up other bluegrass artists on Jalyn. He
realized a dream in 1970 when Ralph Stanley hired
him as his lead singer, but the dream was cut short
by Roy Lee’s murder four years later in Jackson,
Kentucky.
CLARK,
MANUEL D. Jr. “OLD JOE” also “SPEEDY” (1922-1998)
Old
Joe Clark was born in Tennessee. He started
in the entertainment business as a ballad singer
in the tradition of Bradley Kincaid, but was best
known as an old man comedian/banjo player akin
to Grandpa Jones’ act. In 1946 he went
to Renfro Valley with a group called the Lonesome
Pine Boys, but ended up being the only one of the
band that John Lair kept. He worked as a
DJ on WRVK in Renfro Valley and on the Renfro Valley
Barn Dance. In 1949, he came to WPFB in Middletown,
Ohio and performed with Smokey Ward for about a
year before leaving to work with Bill Monroe for
two years and finally returning in 1952 to Renfro
Valley, where he stayed until his death. He
recorded an LP on Cincinnati’s Vetco label
and a 45 rpm EP and a single on the Ark label in
Cincinnati, as well as singles on Lexington, Kentucky
labels Sun-Ray and Rem.
CLYBURN,
WAYNE
Wayne is an engineer,
banjo player, and co-host with Katie Laur of WNKU’s “Music
From the Hills of Home.” Wayne keeps
Katie on her toes and provides a lot of bluegrass
trivia that comes from his long-time love of bluegrass
music. He played banjo in Katie’s first
band along with Don Parker and Tom Nutini but had
to drop out because of his day job when Katie went
full-time on the festival circuit. Wayne
was a member of the Walker Street Band in the late
1970s and early 1980s with Mark Rader, Bill LaWarre,
and Joe Brashear. Wayne is on the Board of
Directors of Bgrass, Inc.
COMBS,
VINCE (1934-)
A
mandolin player and high lead singer in the Bill
Monroe style, Vince Combs was born in Knott County
in eastern Kentucky and came to Dayton, Ohio, in
1955. He organized a band in 1975 called
the Miami Valley Boys (not the Jack Lynch group),
who worked with Hylo Brown for about a year and
a half beginning in 1979. After that, Vince
hooked up with a Cincinnati group called the Shade
Tree Express. When that group broke up, Vince
organized his own group and named it Vince Combs
and the Shadetree Bluegrass. At one time
that band included Vince on mandolin, Noah Crase
on banjo, Art Stamper on fiddle, Red Spurlock on
bass, and Carlos Brock on guitar. Vince
promoted an annual bluegrass festival at the Greene
County Fairgrounds in Xenia for quite a few years,
but that festival has since moved to Bean Blossom,
Indiana.
COX,
DAVID
Born
in Wolfe County, Kentucky, David Cox came to Ohio
when his family moved to Middletown. He played
mandolin in Larry Sparks first band after Larry
left Ralph Stanley and was included on Larry’s
first LP on Hamilton-based Pine Tree Records. He
later played with an early and great lineup of
the Appalachian Grass that also included Jim McCall,
Vernon “Junior” McIntyre, and Katie
Laur.
CRASE,
NOAH
The pioneer five-string banjo player
in the southwestern Ohio area, Noah Crase
played a lot of the bars around Dayton as well
as appearing at some of the outdoor bluegrass shows
with Paul “Moon” Mullins. Early
on he recorded with Dave Woolum and was one of
Bill Monroe’s Bluegrass Boys in the early
1950s. He was later a member of the Valley
Ramblers, the Nu-Grass Pickers, the Boys from Indiana,
and the Legends of Bluegrass.
CROWE,
J.D. (1937-)
While still in high school, banjo
legend J.D. Crowe served a summer apprenticeship
with Jimmy Martin at WPFB in Middletown. After
he graduated he went with Jimmy full time for five
years and was part of one of the tightest bluegrass
bands ever. His banjo style is crisp, clear,
and intricate. After leaving Jimmy, he played
for several years in the Red Slipper Lounge at
the Holiday Inn in Lexington, Kentucky, a pretty
upscale location for bluegrass at the time. His
bands, the Kentucky Mountain Boys and the New South,
have been a training ground for the bluegrass elite,
musicians such as Doyle Lawson, Red Allen, Tony
and Larry Rice, Ricky Skaggs, Keith Whitley, Jerry
Douglas, Jimmy Gaudreau, Bobby Slone, and Dwight
McCall. His first Rounder album, “The
New South,” is one of the most influential
bluegrass albums of all time. He was part
of the all-star Bluegrass Album Band and has been
elected to the IBMA Hall of Honor.
CUNNINGHAM,
EDDIE
Eddie
Cunningham is equally at home with country and
bluegrass music. He has played bluegrass
with the Ohio Valley Rounders and the Comet Bluegrass
All-Stars and country with the New Radio Cowboys. He
helped to start “Bluegrass Sundays” at
the Comet in Cincinnati, which grew in popularity
until it spawned a CD featuring a lot of bluegrass
performers from the Cincinnati area. He also
had a DJ show on WNKU called “Torch and Twang”.